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Fused, Carved, Slumped:
the subtle layerings of Jessica Loughlin
In May 2002, Australian Jessica Loughlin returned to work in Bullseye's Research and Education Department studio in preparation for the most extensive exhibition to date of her meticulously crafted works in kiln-formed glass. For our technicians it was an opportunity to observe and learn from one of the most fanatically thoughtful kilnworkers you're likely ever to meet.
If ever there's been a purist on our premises it's Jess. As simple as the pieces eventually appear, every surface, every line, every unseen crevice has likely been worked to excruciating exactitude. "God IS in the details" and this is one artist on a pilgrimage. |
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