Monthly Archives: June 2013

With my new home glass studio set up and ready for production, I launched into the Tint Tone Plate project included in my Bullseye Tech Notes binder. The Starter Kit that came with my BenchTop-16 kiln included all the glass needed to make two projects, and this Tint Tone Plate looked to be the easiest of them. Plus, it would give me the opportunity to hone my glass-cutting chops, which were rudimentary at best. read more

Editor’s note: Guest blogger Lois Manno is a New Mexico-based writer, artist, and illustrator. She’s also a newcomer to kiln-glass who’s agreed share some of her adventures in her new medium here. She blogs about her art and other adventures – including cave exploration – at loismanno.com.

Oh man, I’m in it now. After having such a great time with the two Bullseye workshops I’ve taken, I thought I’d be satisfied attending the Open Studio sessions to work on pieces and get them fired. It was a nice experience, being in the studio at Bullseye Resource Center Santa Fe, doing my thing while surrounded by other artists working on their projects. I left my pieces in one of the kilns and picked them up a couple of days later. The only problem was that I was going to have to wait a couple of weeks for the next Open Studio. Unacceptable. I had become so hooked on the thrill of cracking a just-cooled kiln to see the goodies inside that I couldn’t imagine having to wait so long between firings. The solution? A kiln of my very own.

BenchTop-16 kiln

My new toy.

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