Classes by Date
Classes by Date

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Portland

May7Kilncarved Plates
7-9The Color Lab: Mixing Powders
11-15Reconstructed Narratives, with Joanna Manousis
14-15Special Effects in Kiln-Glass
18Glass Fusing Fundamentals
20-23Painting with Glass
21Basic Pâte de Verre Bowl
22Crash Course in Glass Cutting
June4Hip to be Square: Graphic Coasters
5Crash Course in Glass Cutting
8-12Collected Images and Powder Printing, with Stacy Lynn Smith
16-19Below & Above: Creating Visual Depth, with Martha Pfanschmidt
22Glass Fusing Fundamentals
24-27Kilnformed Pattern Bars
29Basic Pâte de Verre Bowl
July14-19Kiln-Glass for Printmakers: A Survey of Possibilities
29 - Aug 1Creative Concepts in Kilnforming, with Morgan Van Madison
August5-8Screen Printing for Kiln-Glass
9-13Imagining the Inside: Hanging Hollow Core Molds, with Erika Tada
24-28Impressions, with Dean Allison
October15-19Paper Thin Pâte de Verre, with Saman Kalantari
27-31The Upper Crust: Magnificent Surfaces and Compelling Layers for Kiln-Glass, with Kari Minnick
November2-6Pâte de Verre, Methods to Form By, with Alicia Lomné
9-13Hybrid: The Synthesis of Form, Image & Texture, with Silvia Levenson

Santa Fe

May3-7Explore Santa Fe: The Glass Vestige, with Joanna Manousis
17-21The Upper Crust: Magnificent Surfaces and Compelling Layers for Kiln-Glass, with Kari Minnick
25Glass Fusing Fundamentals
28Basic Pâte de Verre Bowl
June4Kilncarved Plates
17-20The Moment of Making, with Catharine Newell
July8-10Powder Printing
16-19Working in Shallow Space: Bas-Relief Kiln-Glass, with Richard Parrish
21-24Tapestry, with Richard Parrish
29-31The Color Lab: Mixing Powders
August5-8Kilncast Boxes: Exploring Duality Inside and Out, with Mark Abildgaard
September21-24Vitrigraph Murrine and Drop-Out Vessels, with Nathan Sandberg
October11-15Explore Santa Fe: Luminous Depth, with Miriam Di Fiore
November9-12Below & Above: Creating Visual Depth, with Martha Pfanschmidt

Bay Area

May4The Necklace Project
6-8Kiln as Chisel: Carving with Heat, with Matthew Day Perez
11-15Pâte de Verre, Methods to Form By, with Alicia Lomné
19-22Kilnforming with Rod
26Crash Course in Glass Cutting
26Open Plate
28Hip to be Square: Graphic Coasters
28Glass Fusing Fundamentals
June3-6Basic Kilncast Glass
7Basic Pâte de Verre Bowl
10-12Sandblasting for Kiln-Glass
16-20Collected Images and Powder Printing, with Stacy Lynn Smith
24-25Iridescent Effects
26Glass Fusing Fundamentals
26Kilncarved Plates
July7-10Screen Printing for Kiln-Glass
21-24Scaling Up: Tabletops, with Nathan Sandberg
August27-30Experimental Expressionism, with Miguel Unson
September7-11Imagining the Inside: Hanging Hollow Core Molds, with Erika Tada
November17-20Below & Above: Creating Visual Depth, with Martha Pfanschmidt

New York

May6-8Design for Drop-Out Vessels
11Kilncarved Plates
13Crash Course in Glass Cutting
14Glass Fusing Fundamentals
26-28Kiln as Chisel: Carving with Heat, with Matthew Day Perez
June1Glass Fusing Fundamentals
3-4Iridescent Effects
8Basic Pâte de Verre Bowl
10Crash Course in Glass Cutting
15Taking on Color
17Taking on Color
18Glass Fusing Fundamentals
22Basic Pâte de Verre Bowl
29Kilncarved Plates
July6-10The Upper Crust: Magnificent Surfaces and Compelling Layers for Kiln-Glass, with Kari Minnick
15-19Collected Images and Powder Printing, with Stacy Lynn Smith
23-27New Frontiers in Fluidity, with Narcissus Quagliata
August18-21Vitrigraph Murrine and Drop-Out Vessels, with Nathan Sandberg
24-28Kilnformed Murrine Boxes, with Nathan Sandberg
September10-14Pâte de Verre, Methods to Form By, with Alicia Lomné
October26-30Hybrid: The Synthesis of Form, Image & Texture, with Silvia Levenson
December8-11Below & Above: Creating Visual Depth, with Martha Pfanschmidt

Los Angeles

May11Hip to be Square: Graphic Coasters
14-17Clay into Glass: Transformation Through Kilncasting, with Mark Abildgaard
19-22Below & Above: Creating Visual Depth, with Martha Pfanschmidt
25Basic Pâte de Verre Bowl
28Kilncarved Plates
28-29Special Effects in Kiln-Glass
June1Glass Fusing Fundamentals
3Crash Course in Glass Cutting
4-5Iridescent Effects
8The Upper Crust: Magnificent Surfaces and Compelling Layers for Kiln-Glass, with Kari Minnick
17Graphic Relief in Thick Glass
18Hip to be Square: Graphic Coasters
23-25Powder Printing
30 - Jul 2Powder Printing
August17-20Experimental Expressionism, with Miguel Unson