Classes by Date
Classes by Date

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Portland

June4Hip to be Square: Graphic Coasters
5Crash Course in Glass Cutting
8-12Collected Images and Powder Printing, with Stacy Lynn Smith
16-19Below & Above: Creating Visual Depth, with Martha Pfanschmidt
22Glass Fusing Fundamentals
24-27Kilnformed Pattern Bars
29Basic Pâte de Verre Bowl
July6Glass Fusing Fundamentals
23-25Introduction to Pâte de Verre
27Hip to be Square: Graphic Coasters
29 - Aug 1Creative Concepts in Kilnforming, with Morgan Van Madison
30Graphic Relief in Thick Glass
31Crash Course in Glass Cutting
August3Stripes and Dots
5-8Screen Printing for Kiln-Glass
9-13Imagining the Inside: Hanging Hollow Core Molds, with Erika Tada
10Glass Fusing Fundamentals
13-14Iridescent Effects
17-20Painting with Glass
20Perfect Pendants
21Crash Course in Glass Cutting
24-28Impressions, with Dean Allison
27Glass Fusing Fundamentals
September7Kilncarved Plates
10-11Beginning Beadmaking
14Stripes and Dots
17Hip to be Square: Graphic Coasters
18Crash Course in Glass Cutting
24Basic Pâte de Verre Bowl
October4-8Deep Winter Landscapes, with Miriam Di Fiore
15-19Paper Thin Pâte de Verre, with Saman Kalantari
27-31The Upper Crust: Magnificent Surfaces and Compelling Layers for Kiln-Glass, with Kari Minnick
November2-6Pâte de Verre, Methods to Form By, with Alicia Lomné
9-13Hybrid: The Synthesis of Form, Image & Texture, with Silvia Levenson

Santa Fe

June4Kilncarved Plates
July8-10Powder Printing, with Stacy Lynn Smith
16-19Tapestry, with Richard Parrish
21-24Tapestry, with Richard Parrish
August5-8Kilncast Boxes: Exploring Duality Inside and Out, with Mark Abildgaard
13Hip to be Square: Graphic Coasters
17Stripes and Dots
19-20Coldworking Basics
26-29Painting with Glass: Powder Palette Plus
September3Perfect Pendants
7Glass Fusing Fundamentals
21-24Vitrigraph Murrine and Drop-Out Vessels, with Nathan Sandberg
27 - Oct 1Deep Slumped Forms, with Karl Harron
October11-15Explore Santa Fe: Luminous Depth, with Miriam Di Fiore
November9-12Below & Above: Creating Visual Depth, with Martha Pfanschmidt

Bay Area

June3-6Basic Kilncast Glass
7Basic Pâte de Verre Bowl
10-12Sandblasting for Kiln-Glass
16-20Collected Images and Powder Printing, with Stacy Lynn Smith
24-25Iridescent Effects
26Kilncarved Plates
26Glass Fusing Fundamentals
July14Open Plate
14Crash Course in Glass Cutting
16-17Coldworking Basics
21-24Scaling Up: Tabletops, with Nathan Sandberg
28Glass Fusing Fundamentals
31Hip to be Square: Graphic Coasters
August11-14Kiln-Glass for Jewelry and Wearables
16Basic Pâte de Verre Bowl
19-22Bullseye Box Casting
25Glass Fusing Fundamentals
27-30Experimental Expressionism, with Miguel Unson
September1Open Plate
7-11Imagining the Inside: Hanging Hollow Core Molds, with Erika Tada
16-17Iridescent Effects
17Kilncarved Plates
18Stripes and Dots
22Perfect Pendants
24-27Painting with Glass
29Crash Course in Glass Cutting
October19-23Deep Forest Landscapes, with Miriam Di Fiore
November17-20Below & Above: Creating Visual Depth, with Martha Pfanschmidt

New York

June1Glass Fusing Fundamentals
3-4Iridescent Effects
8Basic Pâte de Verre Bowl
10Crash Course in Glass Cutting
15Taking on Color
17Taking on Color
18Glass Fusing Fundamentals
22Basic Pâte de Verre Bowl
29Kilncarved Plates
July6-10The Upper Crust: Magnificent Surfaces and Compelling Layers for Kiln-Glass, with Kari Minnick
15-19Collected Images and Powder Printing, with Stacy Lynn Smith
23-27New Frontiers in Fluidity, with Narcissus Quagliata
30Stripes and Dots
August3Stripes and Dots
5-6Coldworking Basics
6Firing, From Principles to Practice
10Glass Fusing Fundamentals
12-13Coldworking Basics
18-21Vitrigraph Murrine and Drop-Out Vessels, with Nathan Sandberg
24-28Kilnformed Murrine Boxes, with Nathan Sandberg
31 - Sep 3Kilnformed Pattern Bars
September6Crash Course in Glass Cutting
7Stripes and Dots
10-14Pâte de Verre, Methods to Form By, with Alicia Lomné
21Basic Pâte de Verre Bowl
24-29Deep Winter Landscapes, with Miriam Di Fiore
October4-8Deep Slumped Forms, with Karl Harron
26-30Hybrid: The Synthesis of Form, Image & Texture, with Silvia Levenson
December8-11Below & Above: Creating Visual Depth, with Martha Pfanschmidt

Los Angeles

June1Glass Fusing Fundamentals
3Crash Course in Glass Cutting
4-5Iridescent Effects
8-12The Upper Crust: Magnificent Surfaces and Compelling Layers for Kiln-Glass, with Kari Minnick
17Graphic Relief in Thick Glass
18Hip to be Square: Graphic Coasters
23-25Powder Printing, with Stacy Lynn Smith
30 - Jul 2Powder Printing, with Stacy Lynn Smith
July6Basic Pâte de Verre Bowl
9Glass Fusing Fundamentals
20-23Painting with Glass
28Glass Fusing Fundamentals
30-31Special Effects in Kiln-Glass
August3Crash Course in Glass Cutting
6Hip to be Square: Graphic Coasters
13Graphic Relief in Thick Glass
17-20Experimental Expressionism, with Miguel Unson
24Stripes and Dots
25Crash Course in Glass Cutting
27-29Design for Drop-Out Vessels
31Glass Fusing Fundamentals
September3Perfect Pendants
7Hip to be Square: Graphic Coasters
10-13Bullseye Box Casting
14Kilncarved Plates
17Crash Course in Glass Cutting
20-24Deep Slumped Forms, with Karl Harron