It was a shoo-in: a work whose imagery and ideas sit somewhere between industrial and natural, hard-edged and ephemeral, Kate Baker’s diptych intriguingly pairs high-tech and handcraft. It perfectly summarized e-merge 2010 and the jurors were unanimous in their decision.

Kate Baker, Untitled (Melina) 2009

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For better or worse, an art fair is ultimately about buying and selling. And the buyers are an undeniable force in what is shown. But what about those of us who can often only buy  with our eyes?

I’ve walked the SOFA Fair in stolen moments over the last four days. What follows is my own personal Shopping Cart – the one I’d roll home if money were no object.

Of course, my cart ignores the contents of our own booth.  I’d obviously roll all of our own work home – and some we will -  or we wouldn’t have brought it.

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Top of the list is this quiet wall set by Sibylle Peretti at Heller Gallery. Like virtually everything I’ve seen of this artist’s work, it takes me into another world – a place that is both soothing and disturbing.

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Glass wants to be big.

Think about it. Ours is a medium that by its very nature overflows its edges. Its containers refuse to contain themselves. The light reflected and refracted by a glass object can spill over into surrounding space. Not unlike architecture, glass can define space.

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Jessica Loughlin in Bullseye’s factory studio, caught between Ted and Tom, between horror and enthusiasm, between art and design, between a rock and a hard place…..

This defining ability of the material is probably why I am so drawn to glass objects that are about space – and why glass seems to me to so naturally speak the language of architecture.

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